(Read about a song like Smile by Uncle Kracker to see how he handles that idea.) Or you could give examples of how being in love makes you behave. You could go deeper into what a happy, feel-good relationship looks and feels like. This is one way to develop this theme there are others. If a serious love ballad opened with this kind of self-conscious wordplay, it would feel all wrong.ĭEVELOP YOUR THEME: The song evolves through its three verses, starting with a simple “guy falls in love” idea in Verse 1, to a broader description of the life-changing, freeing aspects of loving all humanity and reaching beyond the self in Verses 2 and 3. Just be sure its appropriate for the song. Setting the mood or tone of a song with your opening lines is a great idea. The idea of literally melting because she’s so hot is good for a laugh and sets the lighthearted mood. I tried to be chill but you’re so hot that I melted. Well, you done done me and you bet I felt it. Mraz takes a relaxed, street-wise approach that’s a little big slangy: So many songs start like this that it’s a real challenge to make it interesting. Here, we learn in the very first line that the singer has lost his heart. SET THE MOOD IN THE OPENING LINES: The first lines of your lyric are like an invitation, something that makes people want to come to your party. Watch for the chorus and notice how the length and complexity changes as the song moves forward. See if you can identify the verses, chorus, and bridge. Listen to the song and notice where each song section begins. Try something like this is a song of your own.īRIDGE: The bridge starts with a scat vocal – “Doo-ja-doo-doo-doo-ja” – just about two minutes into the song. This maintains the repeated chorus effect that listeners like to hear while building and adding shape to this upbeat song, keeping it interesting. It adds lines the second time around but repeats the essential first and last lines. It creates a happy sing-along ending with lots of good-time energy. The final chorus is sung by a group of people who sound like they’re having a good time while Mraz sings a verse over the chorus. The second chorus is longer, doubling the length by adding three more lines that aren’t in the chorus the first time we hear it and rearranging the lyric so it still ends with “I’m yours.” It’s almost as if he’s dishing up the best parts as a kind of appetizer. The first time Mraz sings the chorus, about 45 seconds into the song, he only sings the first and last lines. It cannot wait.” and ends with the title, “I’m yours.” Putting the title in the last line of the chorus is a big plus because that’s a line that listeners can hold onto and remember in the midst of this wordy lyric. It adds playfulness and variety to the song.ĬHORUS: The chorus always begins with the line “I won’t hesitate no more, no more. The melody in Verse 2 is different from Verse 1 and Verse 3 although the chords are the same and it’s still recognizable as a verse. VERSES: The verses convey the theme of the song – “Love is wonderful.” Verse 1 begins with the line “Well, you done done me and you bet I felt it.” The first line of Verse 2 is “Well, open up your mind and see like me.” Verse 3 begins “I’ve been spending way too long checking my tongue in the mirror.” The song has an interesting song structure with a couple of tricks you might want to try.īRIDGE / VERSE 3 / SHORT CHORUS / FULL CHORUS (with Verse 1) “I’m Yours” has been used in half a dozen TV series, two national TV commercials, and was nominated for a Grammy Award for Song of the Year. They not only work well for radio, they’re also sought after by TV series and advertisers. Upbeat songs have a lot of audience appeal. The catchy chorus has a sing-along vibe and, in fact, the final chorus on the recording features a gang vocal that adds a party vibe. It has a light reggae groove, a warm vocal, and lyrics that are seem both personal and universal. 1 Pop and Adult Contemporary hit that spent a record-breaking 76 weeks on Billboard’s Hot 100 music chart. Written & Recorded by Jason Mraz GENRE – Adult Contemporary
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